I'm a photographer of 30 yrs, the last 10, digital. In recent years I've been able to hand off mac-rgb-.psd files to book publishers, magazines, agencies, graphic designers, print shops and intelligent ludites with virtually no problems in final output. I've learned a lot (without considering myself an expert by any means) and I know the printing industry has come a long way in grappling with complex issues. My displays are calibrated, my printers profiled, and I include an inkjet print with every file. Lately a client of mine is having trouble with a new (to them) company's output on a Zerox iGen press. It's "very green". The printing company is preparing a profile for me to softproof my editing in Photoshop; expecting a file tailored to their printer.
I'm wondering if this is a reasonable request from the printers.
Is it my responsibility to change what I feel is a viable file and (horrors) learn new things I'm not interested in?
Thanks in advance for any advice,
DRCasper
I'm wondering if this is a reasonable request from the printers.
It is, but not for the green cast, the printer should easily be able to take care of that,
but both your display and your inkjet printer have larger color spaces than the press, so using the printer's profile to preview the files is wise and will prevent disasters.
(and that should take care of the green cast right from the start also)
I am going to disagree with the rinter I do not think it is reasonable for them to expect you to alter your standards that are received world wide as being in fine shape.
I have an agency in the UK I am based in New York they insist that the standard is Adobe RGB 1998 as just about everyone else.
This is a standard that a printer can judge their profile by and make the necessary adjustments to and probably simply bey dropping the file into a scripted folder.
All they need to know it is that as Adobe RGB it looks like this when we convert to our profile we have to adjust it to look like that you might have to be a rocket scientist to figure out the script but that is their job your job is to take photographs.
Let them fix their printer drivers to be more consistent with the rest of the industry.
The idea they are coming up with a profile you have to match their printer is ridiculous let their drivers match the industry standard.
And Xerox no less, since when hasn't it been green?
BTW Todie what are you doing on the computer? You should be on to other things!
I guess I will have to help you. Should I take some portraits of your young friend?
I am : )
back to the topic: when you put it as a matter of "sharing responsibilities" with the printer, the answer can be either-or;
some people "share", others don't
but if you want your printing on this press at this time to be as good as it can be, share! : )
the profile of an unstable device doesn't really matter, but its use may put your file in an adjustable state; if your file exceeds the press' color space there's nothing but chance that some unclipped colors will be right, most won't
It is not a good idea for the printers and the techs to lay the
responsibility of the shortcomings of the technology and the product
they are responsible for on the head of the photographer.
Let them provide a stable and standardized work flow and specs that
everyone can follow. You give them a proof and this nonsense about
well this is off and that is off. There are millions of computers all
over the place doing this same kind of work and they re standardized
to Adobe RGB 1998. Then this idea that is has be to converted to
their CMYK profile is nonsense.
If they cannot calibrate their monitors to be able to consistently
convert Adobe RGB 1998 to their cmyk profile that is their problem let
them go out of business. And Xerox is going to do that unless they
change their ways. Their printers never work well for more the 3
months anyway.
It is their responsibility. BTW the OP should know Todie wrks on the
printer side os it not two sided there as it may seem.
The production people are always geared to blame the customer.
No way of e-mailing you directly.
In case you did not noticed i did not recognize you. I do not recognize people if I have not seen them for more than a couple of hours.
Even if I have spent the whole day with them and know them very well. Your photo does nothing to help.
So this is the thing if you do not stop me to remind me who you are I will just walk by and not remember you. Like amnesia from an old injury.
I was never good at recognizing people anyway.
So if you don't say hello my sort of peace of mind will not be disturbed. And I will not be so uncomfortable trying to remember who you are and how I know you and believe it or not I will appreciate it. So don't do it again. My feelings will not be hurt and y ice cream will not melt.
And continue success.
Thanks to both of you for your thoughtful replies.
I've received the profile and created a "Custom Proof Condition" by selecting it as the 'device to simulate'. View > Proof Setup > Custom . . .
My render intent is Relative Colorimetric and all other boxes are unchecked. The blacks are a deeper but there is NO color shift. I tick the boxes and things look flatter and a little magenta / blue. I don't think adding yellow and green is advisable. Am I doing this right?
I'll bet it looks great on their display. If so, wouldn't you think their output would follow? Do they look at the display?, or drop it in a folder? These are loaves of bread and not highly saturated.
When I was 14 my Dad told me: "We're all responsible for our own equipment".
Wade, I agree: Let them fix their printer drivers to be more consistent with the rest of the industry. That makes sense to me.
Sharing is one thing, doing someone else's job for them, bugs me.
LGT: "but if you want your printing on this press at this time to be as good as it can be, share! : ) "
I'll hang in there a while longer
Wade, I don't understand your last post. #7. Does it have anything to do with me?
Thanks again, Oh wise ones.
DRC
PS: Now they want me to make test prints on their paper!? Isn't that totally off the wall?
No it has to do with Todie.
Only with Todie so I thought i would make it clearer than I thought i
had made it in the past.
I ran into him last night before we posted and he was on his quest
with a young woman from Canada and the bull was flying everywhere and
he tried to involve me.
I hated her even her name bothered me. Todie likes junk!
Get it Todie.
you are delusional
I was at a table
you passed by
I said hi wade
there was an introduction and some small talk
good bye!
you hate the name Heather?
that's funny
is that because you know/don't know what it means, or because you can't control your feelings?
how can you not like this? : )
http://modelmayhm-3.vo.llnwd.net/d1/photos/090202/15/49878008cb81d.jpg
"My displays are calibrated, my printers profiled, and I include an inkjet print with every file. Lately a client of mine is having trouble with a new (to them) company's output on a Zerox iGen press. It's "very green". The printing company is preparing a profile for me to softproof my editing in Photoshop; expecting a file tailored to their printer.
I'm wondering if this is a reasonable request from the printers.
Is it my responsibility to change what I feel is a viable file and (horrors) learn new things I'm not interested in?"
Sending a hard copy is always a good idea, but if your inkjet print is from a fairly wide gamut RGB file, it can still be problematic although the basic color balance should be okay as long as the printer has a good internal profile.
You say that the printer is "preparing" a profile? What does that mean? How are they doing that? When you send them an RGB file, how ARE they converting it for their Xerox printer? While it's true that the toner based printers shift more than offset inks, they are a lot better than they used to be, and as long as they are calibrated a couple times a day, you should be pretty good. A green cast when they are doing the conversion puts the responsiblity pretty solidly at their doorstep.
Printers, historically, are probably the worst places to get a good profile from. Most don't have a clue about the correct use of profile, let alone being capable of making them. That you now have a printer supplied profile that doesn't seem to reflect their printing conditions is no big surprise. What exuse does the printer have for delivering greenish output? What can you glean from the profile they sent you?
My view is that if you are going to take the responsibility of delivering files for print, they better be the right files for that particular printer and you probably should think about investing in Profilemaker and actually learn how to use it. Guessing isn't good enough and sending RGB is a recipe for disaster - unless you have very specific instructions otherwise.
Sending RGB is the right thing if it is the color space that best serves the artist's artwork
The dilemma in the case of this thread is: do I have to make my work compatible with my client's output device?
That depends on your work code and contract with the client.
Would you convert your file to B&W if that was your client's need?
…or to the color space of an eight color offset press?
Toner printers have limited capabilities for both color and B&W reproduction, and are not stable.
To prepare a file for print is the responsibility of the pre press department who serves the press,
with the caveat that presses have limitations.
(in other words, you can't make silk whips out of dung, no matter how silky your prototype is : )
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