Hello, I was using twixtor to modify some footage I have and make it slow motion but for some reasons everytime I turn the speed down the footage is blurred and it has some kind bad frame timing. I modified the frames from the composition to be exactly like the ones from my footage so there shouldn't be any problem.
You're looking in all the wrong places... Check your footage interpretation rather than messing with the comp framerate and Twix' settings. And when you do, keep in mind that 24 fps is not the same as 23.97 fps or any of that, including fake reverse pulldown, fields and all that other stuff that figures in. Also set your interpolation settings in Twix to motion estimation or motion weighted blend. This gives much better results in most cases.
Here the important question: how MUCH are you making Twixtor slow the clip down?
2 times, or 50% speed? No sweat.
5 times, or 20% speed? That's getting dicey.
10 times, or 10% Speed? Fuggetaboutit.
Twixtor's good, but it can't work miracles.
So as the more fps the footage has, the better twixtor works with it right?? Still, isn't there a good slow motion program? I didn't had the time to verify the thing with interpretation but as soon as I'll see how it work I'll post some results.
Thanks for the help!
Twixtor works great for many kinds of shots. If you're going to do slow motion and you are stuck with standard video (HD or SD) you should shoot interlaced at as high a frame rate as you can. Some cameras have the ability to shoot 60P, that's even better. Once you get past the 60p mark you are into the specialty gear and the sky is the limit there. Some guys have even invented a fancy camera array that shoots trillions of frames a second. Fast enough to see a particle of light.
That said, if I had some 1080i footage I'd separate fields, double the comp's frame rate, render to a 10 bit production codec, then drop that 59.97fps footage in a new comp and fire up twixtor. Providing there is the right kind of motion in the frames, Twixtor will do an amazing job of slowing down the footage. Try the same thing with 24P footage and you've got nothing but headaches.
Yeah, I guess I'm stuck with the headaches, not to complain but, I shot some footage with the same camera and worked some slow motion in sony vegas 9 and it worked great. Here, in ae, everything I try only makes my footage look like it's shot through some marmelade or shot with a polaroid and the glued together. I can't believe there's no way to make some quality slow motion with a d90. I'll keep on searching. I appreciate your help.
Have you gone through the tutorials on the ReVision site? If you're getting all kinds of weird results you've got something fouled up in the settings. How much of a speed reduction are you trying to do? Stretching 1 second to 10 is going to be tricky, but stretching 1 second to 5 should be doable unless there's an astounding lack of detail in your shot.
I'd love to see the shot you're trying to slow down.
What is the source's codec?
You can be a noobie only for so long around here. Then you are forced by peer pressure to dive into the mechanics of what is a huge, deep, and ultra complex application. If you are trying to apply Twixtor to a i-frame codec like what normally comes out of a DSLT, H.264, every frame must be parinfully reconstructed from the keyframes. This takes about ten time as long as trying to aply Twixtor to a conventionally uncompressed codec.
I applied the twixtor effect on a stock footage, not modified or compressed or anything. I just tried to do the slow motion on the stock footage and the apply some effects. If you have any links that explain the source codec I'd appreciate it. So what is your suggestion then? Should I apply a different codec? I'm a bit confused here.
Oh, my. I have no idea what gspot is or what it does. Just stick with the tools you have in AE.
And, just so you don't tell us it's an AVI, know that AVI is not a codec, it's just a wrapper, like Quicktime.
In an earlier post you claimed to be using footage from something called a d90. Are you or are you not?
> I can't believe there's no way to make some quality slow motion with a d90.<
Message was edited by: bogiesan
I can't believe there's no way to make some quality slow motion with a d90.
A NIKON D-90? Sorry, but you picked the wrong camera, bud.
According to my information, that thing shoots 720p 24 and nothing else, which is the worst frame rate you could get for slo-mo work. 25p would be the next-worst. There's only so much you can do to slow that stuff down before the image quality starts going down the toilet.
You would have stood a fighting chance at fairly good-looking slo-mo with with a Canon 7D, which at least can shoot 720p60. Just conforming video from it to 24p makes it 2.5 times slower. Combined with Twixtor taking it the speed down by a factor of 4, and you'd have video 10 times slower than normal.
But a 7D has its weaknesses, too: that stinky long-gop h.264 codec, for one. You'd have to convert the footage to a lossless codec before using it in AE.
I just got a good look at your screen grab, and you're headed for trouble.
You've set the speed in Twixtor to 3%! Three percent of normal speed, which would be 100%! That is more than THIRTY-THREE TIMES slower than normal!
And you're wondering why Twixtor doesn't come thorough like a champ? You're lucky to have any kind of image at all!
You want something that slow? Go rent a camera that's designed to shoot slo-mo. You're asking for the impossible.
I've tried with 50% speed and it has the same bad result. I didn't know I wouldn't manage some easy slow motion. The camera was borrowed from a friend because I don't have money for a 7D yet. Still to say that I've done in the past a slow motion with some videos filmed with this camera in sony vegas and managed pretty well. Didn't expect some outrageous result in ae but still, what kind of slow motion can I do? In the end nikon d90 it's not the worst camera in the world, it's just the first photo camera in the world that took video shots. I honestly do not know how to find out in AE what codec does the video use. I'm sorry for my lack of knowledge regarding this, I should've known more about footage information. I don't want so much slow motion, that was just a pure test, but I'll still try to make as much as possible out of this footage.
I really appreciate the help and your interest in this!
Some of the best info on shooting for Twixtor:
I took a look at the footage and it looks like the frame rate is wrong. It's hard to tell because you put up an FLV file and didn't post the original footage. The FLV does not contain all of the frames and the frame rate doesn't match the movie because there are a bunch of repeated frames.
Here are a few thoughts.
None of these suggestions will work if your footage is misinterpreted. If you want to post the original footage to You Send It or Dropbox I'll gladly take a look when I can.
I just saw a great video comparing twixtor and adobe premier pro's applications for slowmo:
A lot of people are still experiencing problems with twixtor, but once it is rendered it looks pretty damn good! Is anyone using other slowmo applications that might not be as expensive as twixtor?
Is anyone using other slowmo applications that might not be as expensive as twixtor?
There might be, but I doubt it. The Magic Bullet slo-mo plugin also works well, but it's also in the same price range.
I started using AE with version 3.1. Magic Bullet and Twixtor were common then, and people are still recommending them; hence my doubt.
We've had great luck simply using the optical flow built into FCP and Motion.
The best way to get good slow motion is to shoot it using appropriate technologies like a camera that will shoot at least 90 frames per second. Difficult to convince an inexperienced producer but usually cheaper in the long run to rent or buy a suitable camera than to mess with pixel-mapping applications for days in post.These decisions must be made during the preplanning phase to make sure the footage from a rented camera will incorporate into the rest of the project's images. All pixel flow evaluation and interframe creation software requires excellent source footage and those specifications are rarely considered during shooting because the software is purchased after the primary shoting has been wrapped.
It seems that the slow motion editing in FCP is just ok. It is not as smooth as Twixtor in my opinion. In the link above, you can see how FCP's slow mo looks a bit choppy. Is it because the photographer was not shooting at 90 fps. It is shot with a Canon EOS 7D and I believe the highest that will go is 30 fps. What are some cameras that will shoot higher than this?
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