As one of my requested features I was hoping that vector scopes would be (or could be) live while you were playing the video in the main monitor.
Is there STILL no way to see composite video AND vectorscopes updating at the same time in CS6?
Did I miss something here?
Sorry, scopes still do not update as you playback in CS6. Feature requests: http://www.adobe.com/go/wish
Keep in mind that the O.P actually said...
Is there STILL no way to see composite video AND vectorscopes updating at the same time in CS6?
So I have the composite video showing in my second monitor and the scopes showing in the Program Monitor. ie. it is possible in realtime and simultaneously
Maybe the power of Quadro Cards.
Be interesting to hear from others.
@Jim. Why are you using the reference monitor for this function?
What happens if you play out to your second monitor and set your Primary Program Monitor to scopes (or any of the scopes)?
I will try the reference monitor to see what happens in my system / set up.
Brilliant shooternz: Quadro FX3800 and 3rd monitor through BM Intensity Pro. Go to the top of the class.
By the way, you're really going to want to dust down your BM Intensity Pro now that it's sooooooooooooooo integrated. Just set the card as the playback viewer in Preferences and use an Adobe codec as per usual.
Equally as cool!
If I set my external device to my 2nd monitor and display composite video on it and set the program monitor on my Sager X7200 laptop to all scopes, everything updates real time (Nvidia GTX580M card - 280.26 drivers).
Still using PP5.5.2 at the moment.
If I use the "Color Correction" workspace and try to display the composite video and all scopes on the same monitor the scopes do not update in real time.
@ jon - sorry if i'm misinterpreting, but i'm coming from vegas pro where i can playback my timeline using any codec on it and monitor via bm intesity pro. are you saying i have to use a 'adobe' codec in order to do that!?
btw. i have a gtx550ti and live scopes with vegas. i'm presuming i'll still have live scopes?
Leslie, up to CS5.5, if you wanted to use the BM Intensity Pro for 3rd monitir preview only, you had to create a sequence using a BM codec. That was the main gripe.
In CS6 the BM IP is now used in the background, and you set the card as the viewer - much the way AE handles it. That means you're free to use a sequence setting of your chosing. I'm hoping that means that we can now copy the PP CS6 project files over to a laptop that doesn't have a BM IP installed - without needing to load the BM codecs - as I currently have to do.
I haven't tested it to destruction yet - but it seems to be holding up well.
I just got this info from engineering:
If you want to view both live scopes and composite video, you'll need a second monitor connect to your graphics card or 3rd party I/O device (AJA, Matrox, BMD, BlueFish) to make this work.
Set you Program Monitor to one of the scopes via the Program Monitor panel menu
Set your Prefs >Playback to Adobe Monitor 2 (or 3rd party I/O)
I also see my Program monitor, when set to scopes, playing back scopes live.
Hi Jim, see my earlier message.
If you want to view both live scopes and composite video, you'll need a second monitor connect to your graphics card or 3rd party I/O device (AJA, Matrox, BMD, BlueFish) to make this work.
Set you Program Monitor to one of the scopes via the Program Monitor panel menu
Set your Prefs >Playback to Adobe Monitor 2 (or 3rd party I/O).
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@Jim. Why are you using the reference monitor for this function?
How else do you see both composite and scopes at the same time using one physical monitor?
I thought you used a separate calibrated monitor and a second monitor. Anyway as posted...you need 2 monitors. My set up that we have discussed at length previously works even better in CS6 I must add. Its absolutely brilliant!.
Will see what the reference monitor and scopes issue when I go in this morning.
I will be reinstalling the BM Card so I can access another monitor and see how to take advantage of it.
I thought you did not want a 3rd party solution to external monitoring! ![]()
CS6 and 2 monitors is a real dream and with the CTRL - Tilde option...its heaven on a stick. (Transmit)
The Reference monitor does not even compare practically as a viable monitor for anything but comparing scene to scene and I am somewhat surprised to hear you suggest you are using it for CC and Grade..
I thought you did not want a 3rd party solution to external monitoring!
Ideally, it would happen correctly just using the graphics card, but...with Adobe Transmit it sounds like we get most everything in a Proper Monitoring Solution minus that, so...close enough I guess.
The Reference monitor does not even compare practically as a viable monitor for anything but comparing scene to scene
Or, if it worked correctly, seeing live scopes and live video.
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