Hi,
I've been using HDR with Photoshop CS5 for quite some time, and I'm now switching to CS6, but am having some troubles that I've never had before.
Here's a rundown of what's happening. First, I go to file -> automate -> merge to HDR
I then make the changes to gamma, exposure, etc. I leave the 16-bit and local adaptation alone; I've never changed any of that before. Someone mentioned how that could be an issue, but I never adjust any of that. After making the desired edits of colors, exposure, etc., I hit process. I'll show here what I get in the "preview" window where all of the work is being done, and then what the end result is.
Preview window:
What it comes up with after:
Any thoughts or ideas would be greatly appreciated!
I'm unable to help you specifically on this issue, but I do have a comment on the function in general:
I've never personally been able to get more out of Merge to HDR that I could get out of developing a single exposure that captures all the brightest parts just at the limits of overexposure. This is especially true considering all the flexibility in the controls in Camera Raw 7. Frankly I don't understand peoples' fascination with Merge to HDR.
-Noel
Yeah I've always used multiple exposures, but I'd be more than willing to give a single raw file a try if it could yield the same (or similar) results. With the raw file, how do you do this? I know how to do it with a regular JPG or other format, but is there a different way to do this that utilizes the raw format? Thanks for the help, if anyone else has any input, I'm happy to hear it!
Yes, open a raw file with Photoshop's Camera Raw, then move the sliders around - e.g., Shadows, Highights, Blacks, Whites, to bring the extreme parts of the exposure in.
It's surprising what results can be gotten from a single raw file:
Several examples:
JPEG From Camera:
Processed Raw File:
JPEG From Camera:
Processed Raw File:
-Noel
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