Hi
Basically we have exported our 68 page A5 booklet to the printers, they have ok'd it, but once its actually got to print stage there's a problem.
We have 16 colour pages and the rest are black and grey, but all the exported pages on the PDF are CMKY when only the colour pages can be on 4 plates the others need to be on just the 1?
How can I get the mono pages to export in such a way, or create them in wuch a way that it will allow 4 plates for the colours (images pages) and only 1 plate for the text pages?
Regards
Ashley
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Its a 4 plate press. paper on a roll.
I've been quoted that as long as the 16 colour pages are on the same 'deck' which is of 16 pages, and the other 3 decks are 1 plate black (and grey) then all is well.
They have looked at the pdfs I've exported from InDesign and apparently even the black text pages are CMYK and therefore made up of 4 colours?
Not something I get but anyway I need the mono pages to be pritnable using just 1 plate, so I presume that means not in CMYK.
Have no idea if this is to do with the export settings or within INDesign itself. The printers say they are not used to InDesign so can't advice.
I have until 1pm GMT to get this sorted or they woun't get printed.
arrrrrghh
Please advise.
If you've added any of ID's automatic marks during export they will appear on all four plates, but even if you didn't ID will have output blank CMY paltes for those pages with K only content. In either case, for press output the printer should be able to simply ignore those plates (as long as he knows which pages are K only), as Rob said earlier. Are you sure all of the color is on a ingle set of plates and not inserted somewhere that it shouldn't be?
They have looked at the pdfs I've exported from InDesign and apparently even the black text pages are CMYK and therefore made up of 4 colours?
That would be a problem. It sounds like you are getting a color conversion on export. What are your PDF export settings? The safest bet in this case would be the PDF/X-1a preset. Also make sure your black text is the default [Black] swatch or 0|0|0|100 CMYK
I've gone back and look at the colour pallet some of the greys are...
Looking at the swatch panel doesn't really tell you anything because an object could have its own color, which isn't in the Swatches panel. Also, colors could change on Export depending on your settings.
To start look at the pages with Separations Preview turned on. You can turn off the Black channel and easily see any objects with CMY values:
So either of the following would be ok for a starter ?
[Black] 50%
some are C=0 M=0 Y=0 K=50
for text just created in InDesign.
But for imported black Psd images for instance thats another matter?
I thought InDesign was the industry standard these days, apparently just for digital print?
Not as easy as it should be all this.
acknowledged4791 wrote:
I thought InDesign was the industry standard these days, apparently just for digital print?
This is not about digital vs press output, but rather color management and conversion. InDesign CS6 supports export to Grayscale for color documents, but it would make ALL of your file grayscale, and you don't want that, so it's up to you to be sure that any images you use that are supposed to have only black ink are saved in either grayscale or bitmap mode.
I was under the impression they did.
The Appearance of Black pref only applies to the appearance of black on RGB devices (screen display and composite printers). Most CMYK profiles display 0|0|0|100 black as a lighter value than absolute black, which is what happens on press—60|50|50|100 prints blacker than 0|0|0|100 on an offset press.
If for some reason you want to override the CMYK profile's appearance (i.e. your document's destination is an RGB screen and not a press) and force 0|0|0|100 black to be absolute, you can choose Display All Blacks as Rich Blacks. This only affects display, composite printing, or export to an RGB destination.
But for imported black Psd images for instance thats another matter?
Grayscale Photoshop images always separate to the black plate (no CMY) as long as the Transparancy Blend Space is left at the default CMYK.
Not as easy as it should be all this.
How would ID know that C=100 M=76 Y=46 K=0 (dark blue?) should actually output as a black percentage?
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