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"Andrew Rodney wrote: You can click "Make This a Proof" when LR asks. Later when finished you can take that back by removing the tick in Set" in Photoshop Lightroom 5 • 15 replies |
23 hours ago |
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"LRuser24 wrote: Andrew Rodney wrote: The problem with the soft proof numbers going where the user wants it, editing now requires a Pro" in Photoshop Lightroom 5 • 15 replies |
1 day ago |
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"To get the equivalent RGB values, wouldn't you need to softproof to a MelissaRGB profile? I.e. ProPhotoRGB color space with sRGB's tone curv" in Photoshop Lightroom 5 • 15 replies |
1 day ago |
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"Andrew can you explain the posted readings for the five paper? How much difference would you expect to see using the one (1) Blurb.icc profi" in Photoshop Lightroom • 19 replies |
1 day ago |
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"Yes, it should work assuming you are placing all the necessary files (user templates, presets etc) in the right locations for each OS and ar" in Photoshop Lightroom • 1 replies |
1 day ago |
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"RuisKukka wrote: In respect of 10 bit display pipeline this is very relevant question. Windows 7 in Aero Basic mode supports 10 bit w" in Photoshop Lightroom • 5 replies |
1 day ago |
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"trshaner wrote: This may explain why there isn't much difference in appearance of the actual printed image on different paper types. ERGO–V" in Photoshop Lightroom • 19 replies |
1 day ago |
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"shutterspeedman wrote: It would be nice to be able to sync the tint without touching the temperature. There should be an option to sync t" in Photoshop Lightroom 5 • 2 replies |
2 days ago |
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"rgreen001 wrote: Thank you. I'm 'happy' with the idea of colour spaces. But does anyone know what colour space kuler is working to when" in Color management • 3 replies |
2 days ago |
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"The problem with the soft proof numbers going where the user wants it, editing now requires a Proof Copy which is kind of like two steps for" in Photoshop Lightroom 5 • 15 replies |
3 days ago |
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"As mentioned, you can't switch and YES it would be nice if both ACR and LR could handle the same read-outs. That means Photoshop should supp" in Photoshop Lightroom 5 • 15 replies |
3 days ago |
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"You either need to get something like Photoshop to convert or have the shop do this for you which may be a better option. Converting to CMYK" in Photoshop Lightroom • 19 replies |
3 days ago |
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"These questions open up a huge can of worms! You might want to look at the ColorSync user's list (from Apple**), read the posts under the ti" in Color management • 4 replies |
3 days ago |
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"I know of no product that can plot a DNG profile. That said, plotting the gamut of a device like a camera is iffy in a number of areas." in Color management • 4 replies |
5 days ago |
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"Soft proof using your actual display profile. Turn Display Using Monitor Compensation off if you will." in Color management • 21 replies |
1 week ago |
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"http://www.colorwiki.com/wiki/ColorThink_Pro_-_Color_Worksheet_Part_2# Altering_the_display_of_color_values Note I'm using ColorThink PRO" in Color management • 3 replies |
1 week ago |
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"Don't know but I suggest you look into ColorThink because it does this and is somewhat unique in how it plots say color gamut (correctly**)" in Color management • 3 replies |
1 week ago |
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"I'd use the settings you'll use to convert the data (or Absolute). If you do any conversions in Photoshop, make sure Dither is off." in Color management • 1 replies |
1 week ago |
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"trshaner wrote: I have created dual-illuminant profiles using the ColorChecker LR plugin. I stand corrected. Maybe earlier versions didn'" in Photoshop Lightroom 5 • 9 replies |
1 week ago |
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"Read this, it's the basis for how LR sharpens and will answer your question (it depends): http://www.creativepro.com/article/out-gamut-al" in Photoshop Lightroom • 11 replies |
1 week ago |
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"There is the standalone X-Rite software to build the profiles and it's the only method to do so and create a dual illuminant DNG profile whi" in Photoshop Lightroom 5 • 9 replies |
1 week ago |