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Spot inks not represented correctly problem

Jul 18, 2012 3:30 AM

Hello,

 

I am a major novice with using indesign and I am fumbling my way through editing a manual, but I am having problems with some spot inks with pictures and I haven't a clue what it is talking about.

 

the message says:

" Spot inks 'PANTONE Process Cyan C' and 'PROCESS Process Black C' cannot be represented correctly within InDesign.  The inks will color separate correctly, but will appear gray on screen and in composite output."

 

The images are also really blurry and just not right, and hoping that by fixing these spot ink things that will sort itself out.

 

PLEASE HELP ME!!

Thank you

Louise

 
Replies
  • Rob Day
    2,329 posts
    Oct 16, 2007
    Currently Being Moderated
    Jul 18, 2012 4:37 AM   in reply to CML326

    Why are you specing a process color as a spot? You can make a cyan or black swatch and not use a spot color at all:

     

    Screen shot 2012-07-18 at 7.36.00 AM.png

     
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  • Currently Being Moderated
    Jul 18, 2012 5:49 AM   in reply to CML326

    As Rob says, you don't need to have these as Spot colours - just add a new swatch and make sure it's set to Process. Then you can have 100% Cyan, Magenta, Yellow, or Black - no need for spots here.

     

    Pictures appear blurry as InDesign is NOT an image viewer, it's a page layout tool. When you place or view an image in InDesign you are viewing a lo-res raster proxy version, for simulation of the layout. The image is linked to the original file, which you can see in the Links Panel - Window>Links.

     

    You can also use the Info Panel - Window>Info - to inspect the quality of the image in terms of resolution.

     

    There are two things that stand out when the image is selected - Actual PPI and Effective PPI

     

    Actuall PPI refers to the amount of PPI (Pixels Per Inch) that are within the image when represented at 100% size.

     

    Effective PPI refers to the amount of PPI that are in the image when scaled. That is, if a n image is scaled up (made bigger) then naturally there are less pixels per inch. And when scaled down (made smaller) there are more pixels per inch.

     

    The higher the amount of pixels the better.

     

    For most printing people say that 300 ppi is necessary, but this is a myth which I'm not going to dispel right now.

     

     

    Basically you want the images to be in around the 300 PPI area.

     

     

    To view the actual image you can open the Link in photoshop or other image viewer.

     

     

    To view a higher resolution proxy of the image go to the View>Display Performance and choose High Quality

     
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  • Currently Being Moderated
    Jul 18, 2012 5:53 AM   in reply to CML326

    THere are two possible reasons for the preview to appear pixelated in ID, and neither has to do with spot colors.

     

    The first is the Display Quality setting Eugene mentioned. The deafult is the "typical" low res proxy. The other possibility is the links are missing or modified, and until you corect that, by either findin ghte links or updating, you cannot fix the preview, nor can you print.

     
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  • Rob Day
    2,329 posts
    Oct 16, 2007
    Currently Being Moderated
    Jul 18, 2012 5:56 AM   in reply to CML326

    Are the images linked to the layout (they show up in the Links panel)? Are the images using the spot colors (they are in duotone mode or have a spot channel)? When you select the spot color in the swatches panel do you have the option to delete it—the trash can is not grayed out?

     
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  • Rob Day
    2,329 posts
    Oct 16, 2007
    Currently Being Moderated
    Jul 18, 2012 6:10 AM   in reply to CML326

    " Spot inks 'PANTONE Process Cyan C' and 'PROCESS Process Black C' cannot be represented correctly within InDesign.  The inks will color separate correctly, but will appear gray on screen and in composite output."

     

    You'll get this message if you try to place an image (duotone, or spot channel) that uses any of the Pantone Solid colors with process or hexachrome in its name, i.e. PANTONE Hexachrome Orange C or PANTONE Process Cyan C.

     

    I'm guessing the original designer spec'd a duotone with PANTONE Process Cyan C and PANTONE Process Black C as the inks instead of Cyan and Black, which would have been better. Are the images duotones?

     
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  • Currently Being Moderated
    Jul 18, 2012 7:43 AM   in reply to CML326

    Unless you are responsible for how the images appear in print, or if the destination of the document is on-screen viewing or low-res digital printing, this probably is not a real problem.

     

    Here's another thought, though. Can you open the Ink Manager from the Swatches panel flyout menu, then select the two spot colors and alias them to their process counterparts?

     
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  • Currently Being Moderated
    Jul 18, 2012 7:58 AM   in reply to CML326

    Then it would appear that the images are duotone created in Photoshop.

     

    I'd leave them set as were.

     

    Do you have access to the images that were used in the brochure?

     

    You can use the Link panel to Relink all the images to the folder where the images are located. Check the flyout menu on the Links Panel (top right corner)

     
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  • Rob Day
    2,329 posts
    Oct 16, 2007
    Currently Being Moderated
    Jul 18, 2012 8:21 AM   in reply to CML326

    If you open all of the duotones and change their ink names to Cyan and Black (the names are case sensitive), you will then be able to trash the two spot colors and replace them with any process swatch. So the sequence would be this (backup your project first):

     

     

    A duotone image spec'd with Pantone Process Black and Cyan

     

    Screen shot 2012-07-18 at 11.01.00 AM.png

     

    The duotone in Photoshop

     

    Screen shot 2012-07-18 at 11.01.25 AM.png

     

    Change the ink names to Cyan and Black and save

     

    Screen shot 2012-07-18 at 11.01.46 AM.png

    Update the links and you'll still get the message, but you can now trash the two spots

     

    Screen shot 2012-07-18 at 11.02.32 AM.png

     

    Replace the pantone cyan with a process cyan swatch

     

    Screen shot 2012-07-18 at 11.03.38 AM.png

     

    Replace pantone black with [Black]

     

    Screen shot 2012-07-18 at 11.03.54 AM.png

     

    Screen shot 2012-07-18 at 11.18.50 AM.png

    You'll need to change every placed object using the two pantone colors, or the trash icon will remain grayed out:

     
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  • Currently Being Moderated
    Jul 18, 2012 8:29 AM   in reply to CML326

    Did you try the ink manager?

     
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  • Currently Being Moderated
    Jul 18, 2012 8:35 AM   in reply to CML326

    And the color was still defined in the swatches as spot?

     

    I'll have to make a duotone and test that...

     
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  • Currently Being Moderated
    Jul 18, 2012 8:48 AM   in reply to CML326

    I just made a duytone using your color names, and it came into ID as spots (but without the warnings, so I'm not sure what the difference is). I had no trouble aliasing those spots to to the process equivalents.

     

    As far as printing, if the links are out-of-date rather than missing there's a reasonable chance the preview (which is what gets printed when the link is not current) is high quality,

     
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  • Rob Day
    2,329 posts
    Oct 16, 2007
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    Jul 18, 2012 10:32 AM   in reply to Peter Spier

    Peter, I tried aliasing my example and didn't think it would work because the preview didn't change, but with Separation Preview turned on it does, so with a lot of images it would be the way to go:

     

    Screen shot 2012-07-18 at 1.29.04 PM.png

     

    Screen shot 2012-07-18 at 1.29.12 PM.png

     
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  • Rob Day
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    Oct 16, 2007
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    Jul 18, 2012 10:37 AM   in reply to Peter Spier

    (but without the warnings, so I'm not sure what the difference is).

    Did you select the colors from the Pantone Solid Library or simply name colors—you need to do it like this to get the warning:

     

    Screen shot 2012-07-18 at 1.36.12 PM.png

     
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  • Currently Being Moderated
    Jul 18, 2012 4:17 PM   in reply to Rob Day

    Tried it both ways...

     
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  • Rob Day
    2,329 posts
    Oct 16, 2007
    Currently Being Moderated
    Jul 19, 2012 5:09 AM   in reply to CML326

    yep - I did. (sorry, should have replied)

    But it's faded and I can't click on the alias part...

     

    The Ink aliasing solution will at least fix your preview problem when View>Overprint Preview is selected. You have to click and select the ink color before you can select an ink to alias:

     

    Screen shot 2012-07-19 at 8.02.51 AM.png

     

    When you click on the Pantone color Ink Alias will be available

     

    Screen shot 2012-07-19 at 8.03.40 AM.png

     
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