Hello,
I am a major novice with using indesign and I am fumbling my way through editing a manual, but I am having problems with some spot inks with pictures and I haven't a clue what it is talking about.
the message says:
" Spot inks 'PANTONE Process Cyan C' and 'PROCESS Process Black C' cannot be represented correctly within InDesign. The inks will color separate correctly, but will appear gray on screen and in composite output."
The images are also really blurry and just not right, and hoping that by fixing these spot ink things that will sort itself out.
PLEASE HELP ME!!
Thank you
Louise
The manual was already put together by professional graphic designers, and this is a second edition, and so I have been asked to do edits, which text edits I worked out how to do. but the pictures were pixilated from the start, and now I am trying to sort it, and it comes up with that message which I don't know how to fix.
I tried going into the swatch options, and changed it from spot to process earlier, but it didn't make any difference and still came up with th message.
As Rob says, you don't need to have these as Spot colours - just add a new swatch and make sure it's set to Process. Then you can have 100% Cyan, Magenta, Yellow, or Black - no need for spots here.
Pictures appear blurry as InDesign is NOT an image viewer, it's a page layout tool. When you place or view an image in InDesign you are viewing a lo-res raster proxy version, for simulation of the layout. The image is linked to the original file, which you can see in the Links Panel - Window>Links.
You can also use the Info Panel - Window>Info - to inspect the quality of the image in terms of resolution.
There are two things that stand out when the image is selected - Actual PPI and Effective PPI
Actuall PPI refers to the amount of PPI (Pixels Per Inch) that are within the image when represented at 100% size.
Effective PPI refers to the amount of PPI that are in the image when scaled. That is, if a n image is scaled up (made bigger) then naturally there are less pixels per inch. And when scaled down (made smaller) there are more pixels per inch.
The higher the amount of pixels the better.
For most printing people say that 300 ppi is necessary, but this is a myth which I'm not going to dispel right now.
Basically you want the images to be in around the 300 PPI area.
To view the actual image you can open the Link in photoshop or other image viewer.
To view a higher resolution proxy of the image go to the View>Display Performance and choose High Quality
THere are two possible reasons for the preview to appear pixelated in ID, and neither has to do with spot colors.
The first is the Display Quality setting Eugene mentioned. The deafult is the "typical" low res proxy. The other possibility is the links are missing or modified, and until you corect that, by either findin ghte links or updating, you cannot fix the preview, nor can you print.
" Spot inks 'PANTONE Process Cyan C' and 'PROCESS Process Black C' cannot be represented correctly within InDesign. The inks will color separate correctly, but will appear gray on screen and in composite output."
You'll get this message if you try to place an image (duotone, or spot channel) that uses any of the Pantone Solid colors with process or hexachrome in its name, i.e. PANTONE Hexachrome Orange C or PANTONE Process Cyan C.
I'm guessing the original designer spec'd a duotone with PANTONE Process Cyan C and PANTONE Process Black C as the inks instead of Cyan and Black, which would have been better. Are the images duotones?
Thank you for all your replies...they are all very helpful and it is much appreciated.
So, I tried to link the images as they are all broken links at the moment, and it is when I do this that message comes up.
Yes - I believe they are duotone images. What does this mean in terms of getting them the right colour again? If i ignore the image, the link is fixed, but then they are in grayscale basically.
Please excuse my ignorance on this - I really am out of my depth using this programme!
Unless you are responsible for how the images appear in print, or if the destination of the document is on-screen viewing or low-res digital printing, this probably is not a real problem.
Here's another thought, though. Can you open the Ink Manager from the Swatches panel flyout menu, then select the two spot colors and alias them to their process counterparts?
In answer to Rob,
"When you select the spot color in the swatches panel do you have the option to delete it—the trash can is not grayed out?"
I can't delete the swatch, the trash can is faded out, and when i hover over it, it has a red stop sign over it.
I also can't edit it on the swatch options, other than to change it from process to spot and back again - which appears to do nothing...
Then it would appear that the images are duotone created in Photoshop.
I'd leave them set as were.
Do you have access to the images that were used in the brochure?
You can use the Link panel to Relink all the images to the folder where the images are located. Check the flyout menu on the Links Panel (top right corner)
I have all the original files of the pictures, and so I can link them again easily enough. However, if i open the picture on it's own, it doesn't appear to be in the same duotone colours as in InDesign, so I am worried that something has gone wrong somewhere, as when I link it up it turns the image in InDesign back to grayscale. But maybe it will be ok when it is printed as the printers will be able to get the right colour plate for it?
So as you say, maybe I should just leave it be and let the printers work it out??!
If you open all of the duotones and change their ink names to Cyan and Black (the names are case sensitive), you will then be able to trash the two spot colors and replace them with any process swatch. So the sequence would be this (backup your project first):
A duotone image spec'd with Pantone Process Black and Cyan
The duotone in Photoshop
Change the ink names to Cyan and Black and save
Update the links and you'll still get the message, but you can now trash the two spots
Replace the pantone cyan with a process cyan swatch
Replace pantone black with [Black]
You'll need to change every placed object using the two pantone colors, or the trash icon will remain grayed out:
Yep - as far as I can see....however...it is possible I am doing it wrong!
Also - flicking through a print out, some of the pictures have worked fine, and it is only a handful of them that are so pixilated, why would this be? All links are broken at the moment, so why would it be ok for some and not for the others?
Please excuse all my questions, your patience with me is appreciated.
I just made a duytone using your color names, and it came into ID as spots (but without the warnings, so I'm not sure what the difference is). I had no trouble aliasing those spots to to the process equivalents.
As far as printing, if the links are out-of-date rather than missing there's a reasonable chance the preview (which is what gets printed when the link is not current) is high quality,
Thank you all for your help in answering this - but I think it is beyond what I can do as I don't really know how to use and get around indesign or photoshop. So I think I'll leave it until we get our new media guy here and let him play around with it, who will likely to a better job quicker than I will.
Thank you.
yep - I did. (sorry, should have replied)
But it's faded and I can't click on the alias part...
The Ink aliasing solution will at least fix your preview problem when View>Overprint Preview is selected. You have to click and select the ink color before you can select an ink to alias:
When you click on the Pantone color Ink Alias will be available
North America
Europe, Middle East and Africa
Asia Pacific