When I import 5D III cinemadng's into Premiere 7.1, the footage comes in with a weird pink overlay. It's not just a tint shift, but some sort of color distortion. After Effects and Photoshop both read the file just fine via Camera Raw. Is anyone else having this issue or know any solution?
Yes they are. I've used other conversion programs (Raw2DNG and Son of Batch) that create only normal DNGs. Those cannot be imported into Premiere. The CinemaDNGs I have are created from RareVision's RAWMagic, and they are importing and playing smoothly in Premiere, just with the pink overlay. I've imported Black Magic DNGs and they work fine.
DaVinci Resolve reads them fine, so they can be read by a NLE, and Camera RAW reads them correctly. I just wish that instead of changing the conversion software, Adobe had created their importer correctly since it seems it can be done. It's unfortunate that Adobe has been so behind DaVinci Resolve in this area.
Yes, same issue for me using raw footage from the Canon 5d Mk III converted to Cinema DNG using RAWMagic: heavy pink tinting. I'm pretty impressed that I can play the Cinema DNG files smoothly and easily perform normal edits, but the pink overlay makes it unusable. Might be okay for an offline editing workflow using Resolve, although the pink overlay makes it difficult to see what you're working with. I'd be curious to know why Premiere isn't interpreting the colour information in the RAWMagic Cinema DNG files correctly, and whether or not the same issue occurs with CinemaDNG files from other cameras. Early days yet and the smooth playback is a good start.
I would hate to have to go through another program though. I was really excited about keeping everything contained within Adobe and giving Speedgrade a shot (now that the workflow is finally usable), but you're right, the pink is totally unusable. I just tried correcting it in Speedgrade. Impossible. It's just not reading it right. Sad that I'm considering switching altogether if Resolve can improve their editing features. I'm shooting mostly 5D III RAW at this point and Adobe can't find a way to support it when other companies can. Really hope this gets fixed soon, but seeing how long we've already waited for CinemaDNG support.......
Cinema DNG is also not working correctly for me. Similiar to what others have described, I'm seeing a strong pink cast on all clips. They work fine when used with davinci resolve. What is the most effective way to report this to Adobe in the hopes of a possible patch?
I would recommend as many people as possible reporting this as a bug using this link: https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
Select 'report bug' and submit.
Agreed. Also, it's being discussed here http://www.magiclantern.fm/forum/index.php?topic=8177.50 and here http://www.magiclantern.fm/forum/index.php?topic=5618.250
I guess open source will just have to do what large companies won't again.
As the thread implies the problem is with the 5D Mark III and not with the BMC. The problem is with Cinema DNG files that were converted from Magic Lantern RAW. Resolve suffered from a similar problem early on that was described as 'pink fringing' in the highlights. This problem was addressed with the release of resolve 10.
There has to be a way to help adobe specify the color space or determine white balance similar to what is done with the AE workflow.
The problem seems to be with how the DNG is interpreted in Premiere, may not be isolated to the RAW files that are converted to Cinema DNG as you explained. Take a look at this article under the bad news. It may be really helpful in making this DNG support usable. Because as stated in the article, we are not beta testers, we are paying customers and as such we reasonably expect a lot more.
To be very clear, for this 7.1 release, we are only supporting CinemaDNG media from the Blackmagic Camera. No other format is being supported at this time. The pink overlay problem with DNG derived from Canon RAW media is a known issue.
We are currently in discussions of how to expand our CinemaDNG support going forward, and user input is a vital factor. Nonetheless, Premiere support for the CinemaDNG format is different from the support in other Adobe applications. For more on this, see the section "Enhanced BlackMagic Cinema Camera support" at this link:
-- Premiere Pro Team
Thank you for the updated information, although I do wish that Adobe had made it clear at the time of the update announcement that CinemaDNG support would only be for the BMCC. I've heard other cameras, such as the KineRAW which shoots CinemaDNG, are not handled correctly either. Still, thank you for pushing this initiative forward, and I'm hoping that Adobe can keep up with the chaning industry and provide full support for all forms of Cinema DNG like Davinci Resolve has found a way to do.
Hi, I'm another magic lantern user making DNG from my 5D3, and I got myself premiere and speedgrade because of DNG support... and I'm kind of disapointed now that this support is only for 1 camera... it's weird, but we'll be patient hoping that you support 5D3 DNG files one day...
Meanwhile, I'll have to switch to Davinci resolve 10 which can do editing now.
Magic lantern users are a huge community, so it wouldn't be a smart move not to support us, For many of us working with premiere and switching to speedgrade was gonna be a perfect raw workflow.
just to push this Thread and make it more vital.. It's really a pitty, that Adobe as Inventor of a "universal" picture-format can't cope with its own idea.
(A) Use the (cinema)DNG-Attributes as they're written into the tif(dng) header.
(B) Give a Interface/Translator for color-matrices.
As its working fairly good in Speedgrade (but sadly not to link it from there to premiere), i state the dng-Importer in Premiere as Beta-Codeproof working merely with BMCC-Files. I dont want to squeeze/recalculate the magiclantern-raws to bmcc-like data - cdng-import cant deliver, what was promised with the idea of dng - by now
Are you folks aware that the Rawmagic CDNG files work flawlessly in AE and photoshop ACR and look completely correct? They do not however open correctly in PPro or SG. Is this because of RGB to YUV conversion? AE being 100% RGB.
Every Import via ACR is read correctly because of translation to rgb-data. Premiere only works accordingly with Blackmagic-data-structure (12bit log with delinearizationcurve), Speedgrade is able to convert to xyz with according color/translation-matrix.
Delinearization Curve - http://infogr.am/bmcc-delinearization-curve?src=web
Speedgrade Handling (look-file) - http://www.magiclantern.fm/forum/index.php?topic=5618.msg87645#msg8764 5
Hey Guys, i think i found a work Around to the Pink Cast!
I imported CDNG's in to AE used the ACR plugin then Saved project as
a CS6 AE project then, Start a new project in Premiere Pro CC
import the AE CS6 project , its links to the original cdng's
And import with the ACR adjustments with no pink cast.
But if you try and send your AE project to premiere the cdng's will
have the pink cast.
So when you save as a "CS6" project in AE you can continue on to edit etc..
I did this test on my PC, i have not tried it on the MAC.
i think, i found a "recalculated way". 12bit linear with debiased blacklevel works quite good - i just coded the audio-convertion from mlv today. so take a look at raw2cdng 1.4.9 (raw&mlv)