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Just wondering, I know it's mainly a PS help forum but is it OK to post photo manipulations here, just like some feed back on something I created
It's a bit weird, kinda surreal
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I don’t think comments/advice on images is the primary focus of this Forum but I don’t think it’s wholly illegitimate if one is prepared to accept the commentary.
In this case I would recommend that you pay additional attention to the
• the »entry-points« of the chain in the ceiling
• the shadows of the sitting person and the bovine
Also I think the »brick-cuboid«-image itself is not ideal as it seems to feature noticeable repetition.
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And not knowing how accomplished a Photoshop user you are I’d like to add a question on the point of technique (which I think is usually more the focus of attention here):
Did you employ a prudently non-destructive approach and utilise Smart Objects (for all the individual picture-elements) and Adjustment Layers?
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I rather like this composite. It is reminiscent of an Alice in Wonderland world with shades of a Clockwork Orange and is imaginative. You might like to apply a B/W adjustment layer as a few of the elements don't quite blend properly and this shows up much more clearly with a temporary B/W layer. The masking is clean , the bricks are a little weird as they are gigantic at the back and top but half as small at the sides, but in a surreal world I'm not sure that really matters.
Personally I like to see what people achieve here, you can post on Behance but that's not for critique and this sort of thing stimulates dialog.
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We should have an area to show your work. The Lounge perhaps?
BTW guys. I know Ged from Photoshop Gurus. He knows his stuff, so we should do our best to get him posting here regulalrly
Great composite Ged. We are used to seeing stranded cows here.
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Am I imagining things Trevor, but didn't you post that picture after the earthquake? I seem to remember thinking those cows will need to be airlifted by helicopter lol Now I feel really dumb-but with me that doesn't take much. I really wish people like Ged would come here as creatives don't seem to post on the forum as much as they should. I just love seeing peoples work and don't think it's showing off to show how good you are and expert advice on masking and compositing should always be welcome.
Hope life in Kiwi land is going well.
Terri
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Hi
I'm Ged
I've been a member here for a few years but never really participated much in the forum until Trevor found me from PSG, so hopefully you'll all welcome me on board
I agree with Trevor about this bit "We should have an area to show your work. The Lounge perhaps?"
OK here's some of my other photo manipulations
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I really like the way you use highly saturated color. There is a Peter Jackson Movie called the Lovely Bones that is full of effects shots using the oversaturation technique and looks simply amazing-take a look at it when next on a TV near you.
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Thanks, Terri - the first one isn't really oversaturation, I just happened to have a polarizer on the lens, with the sun behind me at exactly the right angle. That brings out color like nothing else.
Of course I'm not "against" manipulation and compositing, I do it all the time when I need to. But I like shots that surprise me, and reality often does that more than anything I can think up myself
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Thanks Terri, that's a Movie I have to look out for
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Hi
Terri as well as checking with a black and White Adjustment layer, there is another good technique when compositing which I picked up from our own ACP Jesus Ramirez. That is to create a saturation map.
To do that
1. Add a selective color adjustment layer above the composite layers
2. Turn on absolute
2. Step through each color and turn the black slider to -100 (red example shown below)
3. Step through the White Neutral and Black and turn black slider to +100
This can be saved as a preset.
Now with this in place highly saturated areas shows as white and low saturated areas as black.
It is another good tool to help blend in a composite element and make it fit with it's surroundings
Dave
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Thanks for posting this Dave. I seem to remember being taught about saturation maps in the dim and distant past, your example though is a lot more succinct. I see Jesus has a video on this subject. I've put it below as he's a great teacher and always worth following, but the video is best viewed at Jesus PTC site so I've listed the URL. I know Jesus doesn't mind being linked to from here as I have done it before and anyone reading this might like to know most of his tutorials are free.
Compositing With Saturation Maps in Photoshop - Match Saturation
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Jesus always has good tips, Dave. I make saturation mask by duping a layer, desaturating it, then changing the blend mode to difference.Add a B&W adjustment layer to get rid of the color. I upped the values of the color on the B&W layer to match Jesus's results.
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I second the request to have a location for people to share their work and learn by critique, both, about how well the work was accomplished - but more-so about learning efficient, powerful, non-destructive techniques to accomplish their wishes. I'm going to post that particular request in the lounge (or look to see if anyone else has)!
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Why composite? The weirdest things come together if you look for them. These are straight out of the camera:
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I'm not sure I'd like to live in those huts under the rockface, but it's a great picture. Also not many people know King Tutankamum has a pyramid in downtown Oslo-maybe it was his winter home. As for the birds -very 'Hitchcockian'
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Ged, great concept art. If I may I'd put his lower legs over the frame so he look like he's emerging from it. Out of bounds type!
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Cheers cyberwasp
Good point, I actually had a version like that but it didn't just look right
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Yea, the main focus of these forums is to help people with issues with their applications. They can post examples if they want or need help achieving a desired outcome. There are so many critique sites. It is nice to see what people are doing, as apposed to all the questions about PS crashing. @pete.green is in charge of the digital imaging forums, so it would be his decision to add a space for critique area.