0 Replies Latest reply: Dec 15, 2013 1:52 PM by JBowdach RSS

    Transcoding to Cineform vs H264 - Canon & GoPro Sources

    JBowdach Community Member

      Hi Everyone,

       

      I work on projects shot on various Canon DSLR cameras (h264) and GoPros (Protune h264), with an almost completely Adobe workflow although I sometimes go out to Resolve instead of Speedgrade for CC\Grading.  I wanted to ask if the idea of transcoding still was worth the extra efforts to a more edit-friendly codec for ease of editing, such as Cineform 4:2:2 or Avid DNxHD 185 8 or 10 bit 4:2:2, was still a good workflow. I usually edit on my main edit machine and a laptop on-the-go (specs below), for reference. All my content is for web release, so no issues with having to stick to a very specific format for delivery like broadcast, but I am looking for the most efficient workflow for best results in quality while maintaining a fast working environment  while editing, working in AE with GPU-heavy effects such as FilmConvert, RedGiant tools, etc.

       

      Thanks in advance for any advice!

       

      Main Edit Machine

      Intel i4 Quad @ 4.3Ghz

      16GB RAM

      250GB SSD (OS and Apps), 2 x 2TB 7200rpm for Media

      Nvidia 660 2GB - 968 CUDA cores (Mercury Enabled)

      Adobe CC (latest Dec 2013 update)

      Resolve 10.0.1

      Win7 64

       

      Laptop

      Core2Duo - Dual core x 2.2

      8GB

      Adobe CC (Latest)

      Nvidia Geforce 540M (Mercury Enabled)

      500GB 5400rpm (OS & apps)

      1TB USB3 WD HDD (likely 5400rpm?)