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Hi guys, I am preparing a file for print and by exporting to a 'press quality' PDF (the only modification is selecting all printers marks). When I open the exported file to check it in Acrobat, the jpegs are pixelated although reading clear in the InDesign document. The files sizes range from 72dpi to 300dpi and are reduced significantly down to 10-20% of size. If it was simply the 72dpi jpegs pixelating I could understand but even the 300dpi file @20% is pixelated on the PDF. Any ideas? This problem has only started since the last update from my Adobe subscription.
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Check in the Links panel the "Effective PPI" of the images.
By the way, unless you've been given a spec by your commercial printer, you should probably be exporting your InDesign document as a PDF/X-4.
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Thanks for the reply Derek, interesting, I've always used the default press quality without issue or complaint. What is the difference? I'm not sure how/where 'Effective PPI' is on the links panel? Just now, by changing all the compression options to 'do not downsample' even though they were set by default to press quality (300dpi) the PDF is all clean. I've not had to do this before. I did try using PDF/X-4 with no change (this was suggested on another forum as a solution).
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Re PDF, assuming you're working in RGB color mode (as you should be), PDF/X-4 converts correctly to CMYK and retains transparency. (If you were to be printing to a high end inkjet printer you would chose High Quality Print and this would allow your RGB images to use the Printer's conversion software and allow CMYK+, which has a much wider gamut than CMYK.)
Here's a screen shot of the Links panel:
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Thank you! I have always worked in CMYK if I know a job is going to 4 colour process print and RGB if inkjet. Your info is much appreciated as I'm always striving to be more technically correct. Thanks for the screen grab - what is the difference/meaning of actual and effective ppi and how does it affect the image?
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The actual PPI is the resolution of the original image, the effective resolution is the resolution of the image in your InDesign document. So if you make the image smaller it will increase the PPI and if you make it larger it will reduce it. For commercial litho printing on coated stock you want the effective resolution to be around 300PPI, which gives two pixels for each halftone dot of your litho screen.
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You are a wealth of information Derek, thank you so much for your time!
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Yes. Are the links updated
בתאריך 22 ביולי 2017 12:21, "IllustratedLife" <forums_noreply@adobe.com>
כתב:
Print ready PDF jpegs pixelated - fine in InDesign created by
IllustratedLife <https://forums.adobe.com/people/IllustratedLife> in
InDesign - View the full discussion
<https://forums.adobe.com/message/9718081#9718081>
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The files sizes range from 72dpi to 300dpi and are reduced significantly down to 10-20% of size.
If you scale a 72ppi image to 10% its output or effective resolution would be 720ppi.
Both the Press Quality and PDF/X-4 presets use the same compression settings, so I doubt switching presets will change the quality of the logos because the setting is to down sample any image with a higher effective resolution than 450ppi. While for most images the 300ppi rule-of-thumb is adequate, you might want to turn off down sampling in this case because the logo's text would benefit from higher than normal resolution—small text needs more resolution.
Thank you! I have always worked in CMYK if I know a job is going to 4 colour process print and RGB if inkjet. Your info is much appreciated as I'm always striving to be more technically correct.
In a modern workflow the conversion to CMYK can happen with Photoshop, on PDF export, or at output. Assuming the destination profile is the same, all three produce the same result, so where you do it has more to do with efficiency than quality. Quality might suffer if you made the conversion to the wrong destination profile and the printer was forced to make another conversion, so in any case you want to know the destination profile for the press.
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For thse logos and text and vectr graphics JPG is the wrong file type. You should use AI, PDF/X-4 or EPS (as it is not recommended anymore).
JPGs are only good for images, never for text or verctor graphic. To get a similiar feeling like you would have with vector files you resulion must have 4 x so high resolution as an image file normally has, but this would be recalculated during PDF export, so you would not have any advantage here.
If you have non-technical content, like images, you should always use RGB in InDesign, also for print. For technical stuff like logos, drawings, etc. use CMYK.
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For thse logos and text and vectr graphics JPG is the wrong file type. You should use AI, PDF/X-4 or EPS (as it is not recommended anymore).
I'm guessing the logos were provided that way—happens to me all the time. Not much you can do about it other than keep them at the provided resolution.
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Often the suppliers need only some education, in most cases they have their logos as EPS and don't know what to do with that file type. And as experienced (but not professionell) users they think for print it works the same way as it does with PowerPoint. (But even there, a PNG or EMF would be better.)
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Often the suppliers need only some education,
Good luck with that.
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Hey Willi, thanks for your response, the vector logos have been directly copied into InDesign (opened in Illustrator, copied then pasted) and are not links, only the jpegs are links and the lower resolution logos were supplied like (unfortunately, Rob) that and not large enough to resample. Vector is not a problem. The rasters are giving me the issues within the same workspace and PDF setting that have always been consistent, until now. Frustrating, not adequately solved yet but the workaround will suffice until the answer emerges or an update fixes the issue, but I have some new collective information regarding pre-press from this forum - thank you 🙂
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You should not copy from Illustrator and paste it into InDesign as this is the main reason for corrupted files. Save Illustrator files as AI or PDF and go to File > Place … and import them as linked assets.
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Hi Willi, with respect, I beg to differ regarding copy and pasting vector from Illustrator to InDesign. It is a fabulous feature of the Adobe Suite that vector line art can be transferred between programs and edited without the use of a linked asset. It works perfectly, no extra links and any alterations do not need to be made in another program and re-imported. It does not cause corrupted files as is is not a file, it is drawn linework transferred from one page to another the same as copy and pasting outlined text from one InDesign document to another. Fully editable 🙂
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As for the suppliers of the logos, in this case, I am working through a third party with Council and yes education is required but not the issue here. Last minute job and no time for chasing better quality images when the third party nor the council is vaguely versed in that area. I have made do with what I was able to get in time before deadline.
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While I would recommend placing, there is nothing wrong with copy and paste from Illy with simple vector file.