5 Replies Latest reply on Feb 8, 2013 3:58 PM by Kevin-Monahan

    Proper way to deal with superwhites

    Elliott B. Level 1

      Footage from some cameras, such as Sony FS700, has levels all the way to 109%.  I'm just looking for a definitive answer on the correct way to deal with this in Premiere.  I can see that turning on the levels filter just clips everything at 100%, so that's no good.  If I use the Fast Color Corrector to set output white level to 235, it seems to do what I want.  Would it be correct to apply that filter to ALL footage shot with superwhites at the get go?