Does anyone know how to change the color space of an F55 MXF file from 709 to SLog/SGamut After Effects?
Is that possible?
If not, do any of you have a good workflow for working on the 4K Raw F55 data in After Effects.
Convert to 16 bit Tiff in Resolve perhaps?
It seems silly to be able to mount Sony Raw files without access to the Raw data, so I'm hoping that I'm missing something.
So I found the option in the Interpret footage/More options... menu to Get S-Log.
Does anyone know if this is also S-Gamut color?