Could someone outline an inter-application rundown between PREMIERE PRO and ENCORE of procedures and settings that make the most of 24P raw footage in editing and output.
This would include navigating extremely confusing respective frame rates of 23.97, 24, 29.97 and 30 all of which we have to choose again in outboard processing input and output (eg.in AFTER EFFECTS), then again in compression, and finally in setting up an ENCORE project.
Dealing with the interlace (which in theory you shouldnt have), and the numerous sidebar choices along the way the add to the mystery. Being consistent is not as easy as it sounds. Between what you start out with and what you end up with is a minefield where common sense does not always come out on top.
The end goal is a compression without apparent field issues that ENCORE can use to deliver an optimal Blu-ray.