I do widescreen DV all the time and have never seen this. Can't think of anything off hand that could be a cause.
Haven't had that exact problem with pink line, but have solved similar problems by making sure I put a few seconds of black video on the front and back ends of my media timeline work area before exporting.
I have the same problem. Pink line (4 pixels wide).
I'm also using widescreen HD footage and resizing it down. In my case to 460 by 258.
All looks fine during preview, but the final render comes out with a 4 pixels wide line pink lines on the right side during transitions.
My background is white, so it can blend in to the web page where I'm placing the video, and I have a white matte as my video 1 layer. I tried scaling the matte to 120% of the video's size, but that made no difference.
Anyone got any ideas?
I just fixed the problem by altering the resized dimensions.
My dimensions used to be 460 by 258 and my original footage is 1920 by 1080. The reduction factor to get from 1920 to 460 is 4.1739, which would make the height actually 258.75 pixels.
So I decided to try a reduction factor of 4, which gets me a reduced size of 480 by 270.
Using these dimensions, everything renders fine with no pink lines on the right.
PROBLEM: Everytime I used a cross dissolve on this particular Premiere Pro (PR) project, a pink bar on the right side of the screen appeared. I started off with HD footage and ended up working in a rather odd frame size of 566 X 318 (16:9 square pixels). I doubt the problem was related to scaling down the HD video footage however, because as you can see from my screnshot, the problem existed even with graphics and animations. I saw the problem in my timeline, but assumed it would go away after the final render. No such luck.
SOLUTION: Good old After Effects (AE) to the rescue. I imported my PR sequence into AE and rendered that comp using the Adobe Media Encoder (AME). I try to always end with exporting from AME because of the two pass encoding option that AE does not provide (If this isn't important to you, just skip this last step). In the end, a rather annoying, silly and inconveniet work-around to eliminate a known bug. These kinds of odd, quirky and unpredictable glitches are making my hair turn gray!
a rather odd frame size of 566 X 318
Try to keep the dimension evenly divisible by 8. That might just clear it up for you.
Awesome! This project actually just got scrapped, but I'll be sure to remember this neat little math trick for next time. Thanks!
Has anyone come up with a workable solution to this? I'm getting the same thing with a dissolve when I export, and I cannot figure out how to get rid of it. I've tried exporting various sizes of the clip, nothing works. This is really unacceptable from Adobe.
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For what it's worth, I've discovered (after hours of playing around with settings) that when you're using dissolves in video, for some reason setting the Source Scaling option in the encoder to "Scale to Fill" seems to work.
If your Source Scaling says "Scale to Fit", try changing this option and it should work.
I tested this using .mp4/h.264 encoding, 856x480, baseline profile. It works in Premiere's media encoder. If I try to take the sequence into AME separately, it doesn't. I don't know why.
I found a fix for this by exporting the areas where I had fades into a different file type -- in my case, it was an 1080 HD project, so I think I exported HD DPX video files -- and then I dropped those exported files into the timeline over the problem areas. Kind of a pain, of course, but it only took me maybe an hour to do all of the fade-to-black and fade-from-black areas. I'm currently doing a 5K project in Premiere and I haven't noticed this problem there.
Makes an ok workaround, but why should you have to work around like this? This is clearly a known issue, it should be identified and fixed as such.
This is a highly annoying stupid glitch. Sure would be nice if Adobe cared enough to fix the problem. Ok, Adobe? Fix it. Stupid problem to have.
Yes! Yet again, I trusted Adobe Media Encoder to export 856x480 .mp4/h.264, and yet again, pink line during dissolves. If I export directly within Premiere, I have no problems.
This is flat out unacceptable. The point of AME is to allow me to export multiple versions of a project at once. If I can't use this, the product isn't saving me any time.
Now I have to export 1280x720, take that into QuickTime Pro, and export 856x480.
Get it together and fix, Adobe!
Does anyone have the ear of someone at the company that we can pester for a fix? This is silly...
Just popped here after encountering the same problem for the first time (was so embarrassed when I presented a rough-cut to the client and noticed it). Has anyone reported this to Adobe, strange the first post was 2011 and we are still facing this bug in 2013. Is it me or is Adobe slipping up?
I have the same problem. I have a client that wants a 710x400 size from 1080HD video. I found a workaround though. Instead of using a transition, I just keyframed the opacity of the clip. Pink line gone.
try this, select your format and preset.... then select Scale to Fill -- and then select checkbox Render at Maximum Depth...
I think some of the solutions here are workarounds and just patches the problem, but not a real fix
let me know if that works for you -- or for anyone in here.
WIll try this over the weekend and get back to you...
Can SOMEONE at Adobe fix this please? Flat out unacceptable. It's been a bug for THREE YEARS and I just exported a project to AME and again, I get pink lines. Completely unacceptable for a $1,500 product. FIX IT!
My solution to the Pink Bar phenomenon --
I too experienced the “pink bar” on dissolves problem, and I was in the midst of finishing an 8 DVD set of a medical conference video from Barcelona, and since I had no time to test, I took someone's advice that you can only ramp the opacity instead of using dissolves, and I spent hours changing hundreds of dissolves to opacity ramps. After this project, I decided that it was a real pain working this way and I decided to investigate/test further.
I had a GT120 graphics card that came with my Mac Pro 2009 tower computer during that project. It doesn’t give CUDA acceleration in Premiere or Adobe Media Encoder so my only choice so far was using the Mercury Playback Engine Software Only. Last week I got a Quadro 4000 card that does allow Cuda acceleration, and I noticed that the pink line problem disappeared. But I wanted to figure out what was going on so I did a lot of tests exporting with Premiere and AME on both graphics cards separately to see what was going on.
Here are my conclusions:
The pink lines APPEARS when you do the following: You are using the Mercury Playback Engine Software Only to render (in either Premiere or AME), AND at least one of your output dimensions are not directly divisible by 4.
So for instance, I was rendering out a scene to H.264 using my GT120 card that only allowed the Mercury Software Playback Engine at the following dimensions: 854x480 and the problem would occur. If I output it at 852x480 the problem would disappear. The reason being that 854/4= 213.5 and 852/4=213 (a whole number). This would also hold true for the height dimension, so for instance 460x258, in this case 258 is not divisible evenly by 4.
If you render using a CUDA enable card, and you have turned it on in both Premiere>>Project Settings>>General>>Renderer: Mercury Playback Engine GPU Acceleration (CUDA), and in Adobe Media Encoder>>Preferences>>General>>Video Rendering Renderer: Mercury Playback Engine GPU Acceleration (CUDA), then this problem doesn’t exist, even for sizes that are not divisible evenly by 4. So you can render at 854x480 and be fine as long as you’ve set your preferences to CUDA Hardware. (You can still have the pink bar glitch if you change to Software Only rendering even though you have a CUDA card, so make sure CUDA is selected.)
One other thing to note is that in the Adobe Media Encoder Preferences, there is an item that says “Enable native Premiere Pro sequence import”. It is my understanding that if you check this, it will default to the renderer you have set in AME, and if unchecked it will default to the renderer selected by Premiere Pro. So if you have a CUDA card just make sure AME and Premiere are set to use CUDA.
Anyway, the conclusion I came to is that if you are using a computer that doesn’t have a CUDA card and you have to use the Mercury Software Playback Engine, then just make sure both dimensions of the video you output are evenly divisible by 4.
(If you have to use a dimension not divisible by 4 on a Software Only computer, then experiment using Maximum Render Quality - sometime this would fix the problem, but I need to get back to editing now so I’ll let others figure out when this works and doesn’t).
I hope this helps, and please feel free to chime in if you have any different experiences with this pink bar phenomenon.
I'm glad you appreciate my post. Basically I work at a medical videography company and up until this year I'd been shooting surgeries/conferences in SD and editing on FCP7 which has been a great, simple workflow. But we upgraded to HD and I was faced with choosing the correct path. Just for sheer volume of material I shoot alone, the fact that Premiere Pro can work with native files and doesn't have to transcode material to ProRes like FCPX or FCP7 does made the shift a no-brainer. It will save me hours of time and loads of hard drive space.
There was another problem I noticed in Premiere Pro with the tinny metallic sound on audio dissolves. I'll have to see if this problem persists with my new Quadro 4000 graphics card (or if it is even related). I think people mentioned if you are using AME to make sure to uncheck the "Enable native Premiere Pro sequence import". So with that unchecked, and using a CUDA card, hopefully I won't see either issue in the future.
I'll post again if I come across some relevant information that can help Premiere Pro/AME users with some technical hurdles that I am experiencing as well. I'm not a big poster nor am I a Premiere expert by any means, but these problems that crop up need to be addressed and figured out by the community instead of just posting criticisms of Adobe and giving up before really trying to test things out ourselves.
If editors are using Premiere Pro to post some Hollywood movies, obviously not everyone is experiencing the dreaded pink bar when using dissolves. Hopefully now that the problem is identified, maybe it can logically be addressed by Adobe programmers. But now we at least have a work around.
P.S. I'm already happily married...
the tinny metallic sound on audio dissolves.
This was fixed in PP with 7.2.1 and in AME with 7.2.2.
That's great to know Jim.
So from what you are saying, with the current version of Premiere/AME I don't have to worry about my preference settings in AME regarding "Enable native Premiere Pro sequence import" then, and so I can leave it checked and use AME's encoder and not worry about the old tinny audio glitch? If so that is a big relief.
I should point out a couple of things here:
- In my experience, I don't have a CUDA card, so I assume I'm using Mercury Playback Engine. However, I seem to always get a pink line if I use Adobe Media Encoder. If I just export directly from Premiere, I don't get it.
- All of my sequences are exported at 1280x720 or 856x480, both of which are divisable by 4.
Given these two points, I'm inclined to say the problem is with AME and it needs to be solved by Adobe. Using opacity instead of transitions is just silly - we've been using transitions in digital editing packages for years, so this shouldn't cause pink pixels.
Just had the problem today, exporting 1280x720 a client needed in 320x240 for a web post. Part of the video green bars top and bottom on only some of the footage, not all. Tried everything I could think of but in a time crunch so.... sent it to Sorensen, applied a 320x240 preset and all is well. Moving on. NOT a solution from Adobe but then, you could be waiting a while for that to happen.
this fix worked perfectly for me.. thank you !!
Easy fix for this annoying bug that occurs every time you have transitions placed in your video.
Export media and you select your format and preset....
Top left of screen above the preview area, elect Scale to Fill (you want Fill, not Fit)
Under the Video section, scroll down and select the checkbox "Render at Maximum Depth."
Hope this works for everyone!